We have done over 300 live shows.
We can also do videoclips, visualizers, and full album visualizers.
Our work is always original and unique. We begin by listening to the music and drafting a concept. For videoclips, we then write the script, shoot the video, and edit it. For live shows, we prepare material and guidelines for improvisation.
In an idyllic location in the Croatian mountains, Bear Stone Festival marries natural beauty with the best music. We joined them from the very first edition in 2023 with a view to grow together.
One of the features of the festival is the great care they put into the visual aspect and the stage design. The main stage has figures which we map with the projector to bring them to life.
For the last edition, we also designed a daytime stage with a light show powered exclusively by sunlight, using props which we built out of specialized materials.
We designed and built stage props that would allow us to do lumia art using sunlight. We used a combination of refractive, reflective, and diffractive materials. We would give out reflective disks to the audience so they could participate in the show.
For the first edition of Bear Stone, we used four projectors on the tent’s ceiling, totaling around 17,000 lumens to complement the main stage visuals. This played really well with the patterns from the gobos.
One of the main features of the Bear Stone stage is the many figures created by the talented artists that work there. We precisely map these figures. We can then animate them, change their color individually, or even make them disappear.
We have been doing visuals for DesertFest Berlin since 2022. That first year was special, as the festival was larger than usual and we were working on two stages playing back-to-back. We have been performing there ever since, and we are very proud of the work we have done.
Desertfest gave us the chance to perform with such great bands as Thee Oh Sees, Elder, Pigs x7, Masters of Reality, Kadavar, Lowrider, etc. We also got to know very talented fellow projection artists and see their amazing stage setups like the one from Amenra.
We have compiled a selection of our shows from past editions:
It was our privilege to do visuals for such a great band. When we asked what they wanted, they said “just do your thing”. And so we honored their trust with a show combining liquid light, analog video synthesis, and live cameras pointing at the stage.
For Dhidalah we were able to exercise one of our favorite styles: the “outer space” theme. We used liquid light and video feedback to create the impression of a journey through the cosmos.
For Slomosa we opted for geometric patterns made entirely from video feedback in the shape of a pyramid, since the band’s logo is a camel.
Krach am Bach has a long history going back 20 years. For that reason, we felt deeply honored to be trusted, along with our friend and collaborator Dave Guerrero (aka "dwavehead"), with the responsibility of furnishing the main stage with visuals. It is also a special feeling to be part of a "family" which has been doing this with passion since 1994.
At Krach am Bach, we try to create a synthesis of our style with Dave's. These sorts of collaborations are very enjoyable and stimulating to us.
We are happy to see that year after year the lineup is more impressive, and that the festival is growing in popularity.
We have compiled a selection of our shows from past editions:
Here we see Dave Guerrero doing liquid light on stage, which is the preferred way to work with analog projections. Lautaro was on the other side, to provide better coverage. The band is “Kanaan”.
Orange Goblin is a powerful band. We coordinated our visuals with the lighting technician to create an orange atmosphere. We combined liquid light, shapes, and some video footage, all in the same color palette.
We did a high-contrast, hot-cold colors, black background style which goes especially well with Krautrock music as it evokes a strange, out-of-this-planet feeling.
Aside from festivals, we also do individual concerts, album releases, performances, and other events. We have done visuals for many bands of the most diverse genres in many different venues.
We did many shows at the jazz cycle "Jazzexzess", each time with a different band, and each time with a different concept. We are also regulars at the BluesBumps concerts, and at Dustown.
Some shows, in particular performances, are tightly scripted, for example "The Theory of Everything" by Alexey Kochetkov and "Al Volante" by Barbie Williams. We can help develop a visual script to follow the main theme of the performance.
Here is a selection of some of our shows:
We used circles to project mapped visuals, while the remaining “negative space” was used for black and white line patterns.
A combination of video “deep fried” with analog video mixers and geometric feedback effects.
5 bands, 5 completely different light shows.
A multidisciplinary, tightly scripted show. We wrote a visual script to match the director’s vision.